Acroposthion.com

The ancient Greeks certainly knew better and were against the barbaric practice of circumcising their males and possessing a generous foreskin was a significantly important part of their culture. Many pieces of ancient Greek artwork depict scenes of naked men endowed with quite lengthy foreskins. More importantly they practiced the cultivation of the prepuce and the longer the foreskin the more desired it seemed to be whilst a mega [Greek: mega = large] prepuce or very large foreskin was the epitome of a desirable penis. As previously mentioned the term for the generous abundance of foreskin at the end of the penis is called the acroposthion…the whole point of this website (pun intended). Maybe it is the acroposthion then, in all its unashamed obviousness is what’s seen to be the undesirable element by those with circumcision ‘lust’, because it is precisely therein this protrusion that lays the source of the most blissfully intense pleasurable sensations that a man can experience.

 

 

 

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In his publication for ‘The Bulletin of the history of medicine’ entitled ‘The Ideal Prepuce in Ancient Greece’, Frederick. M Hodges’ documents the preputial aesthetics of the Ancient Greeks, who valued and prized the prepuce on its own merits while simultaneously associating it with other aspects of male beauty. They valued the longer, tapered foreskin as a reflection of a deeper ethos involving cultural identity, morality, propriety, virtue, beauty and health. They also characterized a penis with a short or inadequate foreskin as deficient or defective, especially one that had been surgically removed under their disease concept of lipodermos [Greek = lacking skin].

As would be expected in a culture that valued the prepuce, the Greek language reflected this esteem through precise terminology. The Greeks understood the prepuce to be composed of two distinct structures: the posthe and the akroposthion’. Posthe designates that part of the prepuce that covers the glans penis, but Greek writers occasionally used this word in a general sense to designate the entire prepuce or, by extension, the entire penis. Akroposthion’ designates the tapered, tubular, visually defining portion of the prepuce that extends beyond the glans and terminates at the preputial orifice. When speaking of the iconographic representation of the long prepuce, we are really speaking of the long akroposthion’ for the posthe can never be larger than the unchanging surface area of the underlying glans penis.

The association between the longer prepuce and respectability was so strongly felt that Greeks took steps to prevent unwanted exposure of the glans. In this regard, the consistent artistic portrayal of the adult penis with a generously proportioned ‘akroposthion’ may well represent an anatomical ideal peculiar to Greeks, but, in some cases, it could accurately represent a penis whose ‘akroposthion’ has been elongated, either deliberately or accidentally through the continuous, long term application of traction. Such traction may have come from the use of the kynodesme (literally a “dog leash”), a thin leather thong wound around the ‘akroposthion’ that pulled the penis upward and was tied in a bow, tied around the waist, or secured by some other means.

Classical Greek Athlete wearing Kynodesme.
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Illustration on Greek Vase
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